ABOUT THE SONG OF SCORPIONS AND IRRFAN

Irrfan Khan’s only real home was cinema, says Anup Singh.

The story of The Song of ...

PAINTING THE TOWN RED: VANI TRIPATHI TIKOO

Vinta Nanda talks to Vani Tripathi Tikoo about her recently published book, Why Can’t Elephants Be Red?, and about other things.

Akku, the pr...

A QUESTION MARK IN THE FACE OF A COLLECTIVE LIE

Humra  Quraishi questions the many lies, when too often said aloud, and made out as propaganda, seems to sound like the t...

WOMEN OF STEEL

Some among us could be talking about the conditions of prisons in the country, and the various challenges faced by inmates, but only a handful ...

Looking after a Family’s Medical Needs

Dr Kishore Madhwani writes on the FAMILY MEDICINE SPECIALIST DAY, which was observed on  SEPTEMBER 27 at NAVI MUMBAI...

From King Lear to The Image Book: Jean-Luc Godard

The year was 1989, a print of Jean-Luc Godard's latest film, King Lear, an adaptation of William Shakespear's well known play was received by t...

When Dreams Fade

Film historian Dhruv Somani narrates the cautionary tale of Katy Mirza, the Playboy Bunny who sought a career in Bol...

THE THESPIAN: SUREKHA SIKRI

Her repertoire of work in theatre in particular and then in television and films is vast, writes Aparajita Krishna

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PAST IS MY MASTER AND EVENING MY DAWN: VINAY SHUKLA

His film-work has been artistically selective and also across-genres, fairly mainstream, writes Aparajita Krishna.

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